現代社會的性質（延續上一學期）
一、現代社會是一個由價值整合、功能分化的社會：系統功能論的分析。（湯志傑主講）
新系統論
尼克拉斯.魯曼（Niklas Luhmann）（湯志傑譯）
即將出版 <<社會之經濟>>
參考讀物
Luhman, Niklas
1995 Social Systems. Stanford: Stanford University Press.
二、現代社會是一個性別不平等的社會（周碧娥主講）。
De Beauvoir, Simone
The Second Sex.
現代社會的形成
三、現代資本主義的宗教起源：「經濟」之社會文化基礎（陳明祺主講）。
Weber, Max
1958 [1930] The Protestant Ethic and the Spirit of Capitalism. New York: Charles
Scribner’s Sons.
四、心理的巨變與西方近代文明的形成：「過程」(process)與「組合」(configuration) （吳介民主講）。
Elias, Nobert
2000 The Civilizing Process. Oxford: Blackwell.
現代社會的微觀基礎
五、微觀互動的形式、數量、秘密與信賴（沈秀華主講）。
Simmel, Georg
1950 The Sociology of Georg Simmel. New York: The Free Press.
六、人生如戲：面對面互動作為一種「社會事實」（古明君主講）。
Goffman, Erving
1959 Presentation of Self in Everyday Life. Garden City, N.Y. : Doubleday.
有別於現代社會運作邏輯
七、是不是有資本主義以外的社會運作邏輯？送禮與回禮作為「整體社會現象」（陳瑞樺主講）。
Mauss, Macel
1954 The Gift: Forms and Functions of Exchange in Archaic Societies. London:
Cohen.
作業
一、日常作業
1 針對每一本書、書中的每一章撰寫摘要、心得與評論。
二、期末報告
任選兩本著作，藉著比較與對照來處理下面五個問題
1 這些著作凸顯了哪些在分析社會時必須處理的基本課題？
2 各個作者如何勾繪社會圖像？有哪些面向？主軸是什麼？
3每一著作皆有其所長，也有其所短（通常是由其他著作之長處所凸顯出來），這些作者如何面對其所短？請對照與比較這學期所讀過的著作。
4對於研究台灣社會有什麼樣的啟示？
5對於你自己關心的研究議題有何啟示？
2009年2月23日 星期一
博物館與社會理論
Bennett, Tony (1995) The Birth of the Museum: History, Theory, Politics. London: Routledge. [AM7 .B39 1995]
摘要：
The Birth of the Museum is an engaging work which explores the evolution and cultural function of the modern museum. Author Tony Bennett's invigorating study enriches and challenges our understanding of the museum, placing it at the center of modern relations of culture and government.
Bennett argues that the public museum should be understood not just as a place of instruction but as a reformary of manners in which a wide range of regulated social routines and performances take place. Discussing the historical development of museums alongside that of the fair and the international exhibition, he sheds new light upon the relationship between modern forms of official and popular culture.
In a series of richly detailed case studies from Britain, Australia and North America, Bennett investigates how 19th and 20th century museums, fairs, and exhibitions have organized their collections and their visitors. Highly unconventional and imaginitive in its theory, Show and Tell: The Birth of the Museum provides a distinctive perspective on the contemporary museum.
Eilean Hopper-Greenhill (1992) Museums and the Shaping of Knowledge. London: [AM7 .H66 1992]
摘要：
Drawing on numerous case studies, Hooper-Greenhill presents a critical survey of major changes in current assumptions about the nature of museums, and argues that museums are consciously organizing their spaces and collections to aid self-learning.
Macdonald, S. and G. Fyfe (eds.) 1996 Theorizing Museums: Representing identity and diversity in a changing world. Oxford: Blackwell. [HM15 .S545 n.43]
摘要：
Museums are key cultural loci of our times. They are symbols and sites for the playing out of social relations of identity and difference, knowledge and power, theory and representation. These are issues at the heart of contemporary anthropology, sociology and cultural studies. This volume brings together original contributions from international scholars to show how social and cultural theory can bring new insight to debate about museums. Analytical perspectives on the museum are drawn from the anthropology and sociology of globalization, time, space and consumption, as well as from feminism, psychoanalysis, experimental ethnography and literary theory. These perspectives are brought to bear on questions of museums' changing role and position in the representation of the nation-state, of community, and of gender, class and ethnicity. The examples in this book are drawn from different kinds of museum around the world, and include significant controversial and experimental exhibitions; the Enola Gay at the Smithsonian; feminist exhibitions in Scandinavia; the National Museum of Sri Lanka; Victorian art at the Tate; the representation of race at Colonial Williamsburg and of colonialism and identity in Canada.
Macdonald, Sharon ed. (1998) The politics of display: Museums, Science, Culture. London: Routledge. [AM151 .P65 1998]
摘要：
The Politics of Display brings together studies of contemporary and historical museum shows and challenges the notion that these exhibitions are politically exempt. For example, what does it mean when the Enola Gay, the aircraft which dropped atomic bombs on Hiroshima, is displayed?
The contributors to this volume chart the changing relationship between displays and their audience and analyzes the consequent shift in styles of representation towards interactive and multimedia displays. Examples are taken from exhibitions of science, technology and industry, anthropology, geology, natural history and medicine. Contributors include Steven W. Allison-Bunnell, Ken Arnold, Tony Bennett, Thomas F. Gieryn, Penelope Harvey, Sharon Macdonald and Tracy Lang Teslow.
Table of contents: http://www.amazon.com/gp/reader/0415153263/ref=sib_dp_pt#reader-link
李威宜 2008 《台灣記憶機構與集體想像的建制：裂解認同形構的起源（1945-1978）》。法國高等社會科學研究院歷史與文明學程博士論文。
陳佳利 2007 《被展示的傷口－記憶與創傷的博物館筆記》。台北：典藏藝術家庭。[總圖 069.07 8767]
摘要：
這是一本關於博物館與記憶的論文集，尤其是探討人類所製造及遺留下的各種創傷記憶，如何被記憶、展示及哀悼。從博物館空間與記憶的探討、戰爭紀念博物館的展示設計與敘事策略，到國內外個案的分析與研究，及國內二二八紀念館與日本廣島和平紀念館觀眾經驗的討論與分析，本書希望以各種角度來思考創傷記憶與博物館在當代社會中的意義，並討論不同的社會及國家如何透過興建博物館來保存並且紀念其社會之集體創傷記憶。
博物館是一透過空間安排來保存記憶的機構，它蒐集各式各樣物質文化，並且透過典藏、詮釋與展示等方法，保留見證人類文明之歷程並書寫歷史。
有異於一般博物館對人類歷史文明的歌功頌德，調性截然不同的創傷型博物館紀錄了人類因戰爭、政治等利害衝突而劃下的深刻傷口，任憑時空遞嬗也無法弭平其不可挽回的遺憾。此類博物館內展示的歷史文物，讓所有參觀者如身歷其境般，在沈重肅穆的氛圍中使心靈尋獲滌淨與安撫的出口，藉此期盼傷口的癒合。
本書除了針對國內外知名創傷型博物館如：猶太浩劫紀念館、二二八紀念館、廣島和平紀念館…等作一展示與設計上的說明外，對於不同背景的參觀觀眾，其參觀博物館的經驗是如何影響並形塑其個人之創傷記憶；或是不同的博物館及其展示與敘事又是如何與個人及國家民族之創傷記憶交織，而形成創傷之不同時間與場域…此都是本書探討的主題所在。
（http://www.cam.org.tw/big5/resource5.asp）
五、教學進度(Syllabus)
第 1 週2/23
導論
第 2-4 週-3/2; 3/9; 3/16
Bennett, Tony (1995) The Birth of the Museum: History, Theory, Politics. London: Routledge. [AM7 .B39 1995]
第 5 週 3/23
演講：李威宜 《臺灣百年博物館史》。
第 6-7 週 3/30; 4/6
陳佳利 2007 《被展示的傷口－記憶與創傷的博物館筆記》。台北：典藏藝術家庭。 [總圖 069.07 8767]
第 8-10 週 4/13; 4/20; 4/27
Macdonald, S. and G. Fyfe (eds.) 1996 Theorizing Museums: Representing identity and diversity in a changing world. Oxford: Blackwell. [HM15 .S545 n.43]
第 11-12 週 5/4; 5/11
李威宜 2008 《台灣記憶機構與集體想像的建制：裂解認同形構的起源（1945-1978）》。法國高等社會科學研究院歷史與文明學程博士論文。
第 13-15 週 5/18; 5/25; 6/1
Macdonald, Sharon ed. (1998) The politics of display: Museums, Science, Culture. London: Routledge. [AM151 .P65 1998]
第 16 週 6/8
參觀博物館（待選訂）
第 17 週 6/15
Eilean Hopper-Greenhill (1992) Museums and the Shaping of Knowledge. London: [AM7 .H66 1992]
第 18 週 6/22
期末論文議題與架構
六、參考書目（將另建網站隨時更新）
American Association of Museums (2005) 《地方博物館之「經營公民權的參與：博物館的挑戰」》（徐純譯）。台北：中華民國博物館學會。
Appadurai, A. (ed.) (1986) The Social Life of Things: Commodities in the Cultural Perspective, New York: Cambridge University Press.
Bennett, Tony (2004) Pasts beyond memory: evolution, museums, colonialism. London: Routledge.
Crane Susan A (2000) Museums and memory. California: Stanford University Press.
Crane Susan A. (2002) “Memory, Distortion, and History in the Museum History and Theory,”History and Theory. 36(4): 44 - 63.
Halbwachs, M. (2002) 《論集體記憶》。上海: 世紀出版集團。
Hudson, Kenneth. (1987) Museums of Influence (徐純譯2003 有影響力的博物) ，屏東: 海洋生物博物館。
Karp, I & S. D. Lavine (1991) Exhibiting Cultures: The Poetics and Politics of Museum Display.Washington: Smithsonian Institution.
Lidchi, H. (1997) “The Poetics and the Politics of Exhibiting Other Cultures,”S. Hall (eds.) Representation: Cultural Representations and Signifying Practices, Pp151-222. London: Sage.
Macdonald, S. ed.. (2006) A Companion to Museum Studies. UK, Oxford: Blackwell.
Macdonald, Sharon (2003) “Museums, national, poatnational, and transcultural identities,”Museum and Society,1(1): 1-16.
Macdonald, Sharon ed. (1998) The politics of display: Museums, Science, Culture. London: Routledge.
Macdonald, Sharon. (2002) Behind the Scenes at the Science Museum. Oxford: Berg Press.
Malraux, André (1965) Le musée imaginaire, Paris: Gallimard。(英譯本: Museumwithout walls)
Miller, Daniel (1998) “Why Some Things Matter?” D. Miller (ed.) Material Cultures: Why Some Things Matter, University of Chicago Press.
Pearce, S. (1992) Museums, Objects and Collections: a cultural study, Leicester University Press.
Sandell, R. (2002) Museums, Society, Inequality. London: Routledge.
Schwarzer, Marjorie (2006) Riches, Rivals, And Radicals: 100 Years of Museums in America. American Association of museums.
Stocking, G.W . (1985) Objects, and others: essays on museum and material culture. The university of Wisconsin press.
Suzanne Macleod (2001) “Making Museum Studies: Training, Education, Research and Practice,” Museum Management and Curatorship, 19(1):51-61.
Waidacher, Friedrich (2005)《博物館學-德語系世界的觀點》（曾于珍、林資傑、吳介祥、林潔盈、桂雅文譯）。台北：五觀藝術管理公司。
台灣博物館名錄 http://www.cam.org.tw/big5/museum01.asp
台灣博物館統計資料 http://www.cam.org.tw/big5/resource6.htm
李怡君編著 (2006) 《台灣的特色博物館》。台北：遠足文化。
張婉真 (2005)《論博物館學》。台北：典藏藝術家庭。
博物館專業組織之網站連結http://www.cam.org.tw/big5/resource2.htm
劉家蓁 (2005) 《柏林灰色—散步到德國博物館》。台北：典藏藝術家庭。
摘要：
The Birth of the Museum is an engaging work which explores the evolution and cultural function of the modern museum. Author Tony Bennett's invigorating study enriches and challenges our understanding of the museum, placing it at the center of modern relations of culture and government.
Bennett argues that the public museum should be understood not just as a place of instruction but as a reformary of manners in which a wide range of regulated social routines and performances take place. Discussing the historical development of museums alongside that of the fair and the international exhibition, he sheds new light upon the relationship between modern forms of official and popular culture.
In a series of richly detailed case studies from Britain, Australia and North America, Bennett investigates how 19th and 20th century museums, fairs, and exhibitions have organized their collections and their visitors. Highly unconventional and imaginitive in its theory, Show and Tell: The Birth of the Museum provides a distinctive perspective on the contemporary museum.
Eilean Hopper-Greenhill (1992) Museums and the Shaping of Knowledge. London: [AM7 .H66 1992]
摘要：
Drawing on numerous case studies, Hooper-Greenhill presents a critical survey of major changes in current assumptions about the nature of museums, and argues that museums are consciously organizing their spaces and collections to aid self-learning.
Macdonald, S. and G. Fyfe (eds.) 1996 Theorizing Museums: Representing identity and diversity in a changing world. Oxford: Blackwell. [HM15 .S545 n.43]
摘要：
Museums are key cultural loci of our times. They are symbols and sites for the playing out of social relations of identity and difference, knowledge and power, theory and representation. These are issues at the heart of contemporary anthropology, sociology and cultural studies. This volume brings together original contributions from international scholars to show how social and cultural theory can bring new insight to debate about museums. Analytical perspectives on the museum are drawn from the anthropology and sociology of globalization, time, space and consumption, as well as from feminism, psychoanalysis, experimental ethnography and literary theory. These perspectives are brought to bear on questions of museums' changing role and position in the representation of the nation-state, of community, and of gender, class and ethnicity. The examples in this book are drawn from different kinds of museum around the world, and include significant controversial and experimental exhibitions; the Enola Gay at the Smithsonian; feminist exhibitions in Scandinavia; the National Museum of Sri Lanka; Victorian art at the Tate; the representation of race at Colonial Williamsburg and of colonialism and identity in Canada.
Macdonald, Sharon ed. (1998) The politics of display: Museums, Science, Culture. London: Routledge. [AM151 .P65 1998]
摘要：
The Politics of Display brings together studies of contemporary and historical museum shows and challenges the notion that these exhibitions are politically exempt. For example, what does it mean when the Enola Gay, the aircraft which dropped atomic bombs on Hiroshima, is displayed?
The contributors to this volume chart the changing relationship between displays and their audience and analyzes the consequent shift in styles of representation towards interactive and multimedia displays. Examples are taken from exhibitions of science, technology and industry, anthropology, geology, natural history and medicine. Contributors include Steven W. Allison-Bunnell, Ken Arnold, Tony Bennett, Thomas F. Gieryn, Penelope Harvey, Sharon Macdonald and Tracy Lang Teslow.
Table of contents: http://www.amazon.com/gp/reader/0415153263/ref=sib_dp_pt#reader-link
李威宜 2008 《台灣記憶機構與集體想像的建制：裂解認同形構的起源（1945-1978）》。法國高等社會科學研究院歷史與文明學程博士論文。
陳佳利 2007 《被展示的傷口－記憶與創傷的博物館筆記》。台北：典藏藝術家庭。[總圖 069.07 8767]
摘要：
這是一本關於博物館與記憶的論文集，尤其是探討人類所製造及遺留下的各種創傷記憶，如何被記憶、展示及哀悼。從博物館空間與記憶的探討、戰爭紀念博物館的展示設計與敘事策略，到國內外個案的分析與研究，及國內二二八紀念館與日本廣島和平紀念館觀眾經驗的討論與分析，本書希望以各種角度來思考創傷記憶與博物館在當代社會中的意義，並討論不同的社會及國家如何透過興建博物館來保存並且紀念其社會之集體創傷記憶。
博物館是一透過空間安排來保存記憶的機構，它蒐集各式各樣物質文化，並且透過典藏、詮釋與展示等方法，保留見證人類文明之歷程並書寫歷史。
有異於一般博物館對人類歷史文明的歌功頌德，調性截然不同的創傷型博物館紀錄了人類因戰爭、政治等利害衝突而劃下的深刻傷口，任憑時空遞嬗也無法弭平其不可挽回的遺憾。此類博物館內展示的歷史文物，讓所有參觀者如身歷其境般，在沈重肅穆的氛圍中使心靈尋獲滌淨與安撫的出口，藉此期盼傷口的癒合。
本書除了針對國內外知名創傷型博物館如：猶太浩劫紀念館、二二八紀念館、廣島和平紀念館…等作一展示與設計上的說明外，對於不同背景的參觀觀眾，其參觀博物館的經驗是如何影響並形塑其個人之創傷記憶；或是不同的博物館及其展示與敘事又是如何與個人及國家民族之創傷記憶交織，而形成創傷之不同時間與場域…此都是本書探討的主題所在。
（http://www.cam.org.tw/big5/resource5.asp）
五、教學進度(Syllabus)
第 1 週2/23
導論
第 2-4 週-3/2; 3/9; 3/16
Bennett, Tony (1995) The Birth of the Museum: History, Theory, Politics. London: Routledge. [AM7 .B39 1995]
第 5 週 3/23
演講：李威宜 《臺灣百年博物館史》。
第 6-7 週 3/30; 4/6
陳佳利 2007 《被展示的傷口－記憶與創傷的博物館筆記》。台北：典藏藝術家庭。 [總圖 069.07 8767]
第 8-10 週 4/13; 4/20; 4/27
Macdonald, S. and G. Fyfe (eds.) 1996 Theorizing Museums: Representing identity and diversity in a changing world. Oxford: Blackwell. [HM15 .S545 n.43]
第 11-12 週 5/4; 5/11
李威宜 2008 《台灣記憶機構與集體想像的建制：裂解認同形構的起源（1945-1978）》。法國高等社會科學研究院歷史與文明學程博士論文。
第 13-15 週 5/18; 5/25; 6/1
Macdonald, Sharon ed. (1998) The politics of display: Museums, Science, Culture. London: Routledge. [AM151 .P65 1998]
第 16 週 6/8
參觀博物館（待選訂）
第 17 週 6/15
Eilean Hopper-Greenhill (1992) Museums and the Shaping of Knowledge. London: [AM7 .H66 1992]
第 18 週 6/22
期末論文議題與架構
六、參考書目（將另建網站隨時更新）
American Association of Museums (2005) 《地方博物館之「經營公民權的參與：博物館的挑戰」》（徐純譯）。台北：中華民國博物館學會。
Appadurai, A. (ed.) (1986) The Social Life of Things: Commodities in the Cultural Perspective, New York: Cambridge University Press.
Bennett, Tony (2004) Pasts beyond memory: evolution, museums, colonialism. London: Routledge.
Crane Susan A (2000) Museums and memory. California: Stanford University Press.
Crane Susan A. (2002) “Memory, Distortion, and History in the Museum History and Theory,”History and Theory. 36(4): 44 - 63.
Halbwachs, M. (2002) 《論集體記憶》。上海: 世紀出版集團。
Hudson, Kenneth. (1987) Museums of Influence (徐純譯2003 有影響力的博物) ，屏東: 海洋生物博物館。
Karp, I & S. D. Lavine (1991) Exhibiting Cultures: The Poetics and Politics of Museum Display.Washington: Smithsonian Institution.
Lidchi, H. (1997) “The Poetics and the Politics of Exhibiting Other Cultures,”S. Hall (eds.) Representation: Cultural Representations and Signifying Practices, Pp151-222. London: Sage.
Macdonald, S. ed.. (2006) A Companion to Museum Studies. UK, Oxford: Blackwell.
Macdonald, Sharon (2003) “Museums, national, poatnational, and transcultural identities,”Museum and Society,1(1): 1-16.
Macdonald, Sharon ed. (1998) The politics of display: Museums, Science, Culture. London: Routledge.
Macdonald, Sharon. (2002) Behind the Scenes at the Science Museum. Oxford: Berg Press.
Malraux, André (1965) Le musée imaginaire, Paris: Gallimard。(英譯本: Museumwithout walls)
Miller, Daniel (1998) “Why Some Things Matter?” D. Miller (ed.) Material Cultures: Why Some Things Matter, University of Chicago Press.
Pearce, S. (1992) Museums, Objects and Collections: a cultural study, Leicester University Press.
Sandell, R. (2002) Museums, Society, Inequality. London: Routledge.
Schwarzer, Marjorie (2006) Riches, Rivals, And Radicals: 100 Years of Museums in America. American Association of museums.
Stocking, G.W . (1985) Objects, and others: essays on museum and material culture. The university of Wisconsin press.
Suzanne Macleod (2001) “Making Museum Studies: Training, Education, Research and Practice,” Museum Management and Curatorship, 19(1):51-61.
Waidacher, Friedrich (2005)《博物館學-德語系世界的觀點》（曾于珍、林資傑、吳介祥、林潔盈、桂雅文譯）。台北：五觀藝術管理公司。
台灣博物館名錄 http://www.cam.org.tw/big5/museum01.asp
台灣博物館統計資料 http://www.cam.org.tw/big5/resource6.htm
李怡君編著 (2006) 《台灣的特色博物館》。台北：遠足文化。
張婉真 (2005)《論博物館學》。台北：典藏藝術家庭。
博物館專業組織之網站連結http://www.cam.org.tw/big5/resource2.htm
劉家蓁 (2005) 《柏林灰色—散步到德國博物館》。台北：典藏藝術家庭。
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